01
The portfolio is usually the weakest part
Tattoo work is photographed close and detailed, then squashed into a template gallery that crops it badly and loads slowly. The gallery should be the best-built thing on the site.
Website design
The work is the whole argument. The site exists to show it properly, say who did it, and make requesting a consult straightforward.
What gets in the way
01
Tattoo work is photographed close and detailed, then squashed into a template gallery that crops it badly and loads slowly. The gallery should be the best-built thing on the site.
02
Each artist has a style and a waitlist. A single shared enquiry form sends the wrong requests to the wrong person and wastes everyone's time.
03
If the site looks like a template, it quietly says the work might be too. This is the one vertical where the design of the site is part of the portfolio.
One we built
Every piece is catalogued like an archive: numbered, dated, credited to the artist, and filed by whether it is fresh or healed.
More of the work.
Every site in the portfolio is live, custom coded and built the same way as yours would be.
See all the workAdvanced is the usual fit: the site should look like the work, and the work is rarely quiet.
Questions
Yes, and they should. Five pages covers a small studio, ten covers a studio with several artists and a flash archive.
They request a consult, which is how most studios prefer it. Custom work needs a conversation before a date goes in the diary.
Send us the new work and it goes up the same week. Year one includes one small change a month, and after that it is $55 a request.
Tell us what the site has to do and we'll be in touch the same day or the next.